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商品詳細
Good Wife, Wise Mother : Educating Han Taiwanese Girls under Japanese Rule.
・ISBN 978-0-295-75263-1 hard US$ 110.00
¥25,773.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
・ISBN 978-0-295-75264-8 paper US$ 35.00
¥8,200.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
| 著者・編者 | Hu, Fang Yu, |
|---|---|
| シリーズ | Taiwan and the World |
| 出版社 | (U. Washington Pr., US) |
| 出版年月 | 2024.06 |
| ページ数 | 304 pp. |
| 言語 | ENG |
| ニュース番号 | <716-1338 716-1797> |
解説
Traces Japan's efforts to modernize Taiwan through gendered educational practicesIn Good Wife, Wise Mother, female education and citizenship serve as a lens through which to examine Taiwan's uniqueness as a colonial crossroads between Chinese and Japanese ideas and practices. A latecomer to the age of imperialism, Japan used modernization efforts in Taiwan to cast itself as a benevolent force among its colonial subjects and imperial competitors. In contrast to most European colonies, where only elites received an education, in Taiwan Japan built elementary schools intended for the entire population, including girls. In 1897 it developed a program known as "Good Wife, Wise Mother" that sought to transform Han Taiwanese girls into modern Japanese female citizens. Drawing on Japanese and Chinese newspapers, textbooks, oral interviews, and fiction, Fang Yu Hu illustrates how this seemingly progressive project advanced a particular Japanese vision of modernity, womanhood, and citizenship, to which the colonized Han Taiwanese people responded with varying degrees of collaboration, resistance, adaptation, and adoption. Hu also assesses the program's impact on Taiwan's class structure, male-female interactions, and political identity both during and after the end of Japanese occupation in 1945. Good Wife, Wise Mother expands the study of Taiwanese history by contributing important gendered and nonelite perspectives. It will be of interest to any historian concerned with questions of modernity, hybridity, and colonial nostalgia.