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商品詳細
Through a Nuclear Lens : France, Japan, and Cinema from Hiroshima to Fukushima.
・ISBN 978-1-4384-9784-6 hard US$ 104.00
￥24,367.- (税込) ※（※）価格はご注文時の参考価格となります。
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| 著者・編者 | Holtzman, Hannah, |
|---|---|
| シリーズ | SUNY Series, Horizons of Cinema |
| 出版社 | (State U. New York Pr., US) |
| 出版年月 | 2024.05 |
| ページ数 | 288 pp. |
| 言語 | ENG |
| ニュース番号 | ＜715-1111＞ |
解説
Examines the increasingly reciprocal nature of Franco-Japanese cultural exchange through films that center on nuclear issues.
The Franco-Japanese coproduction Hiroshima mon amour (1959) is one of the most important films for global art cinema and for the French New Wave. In Through a Nuclear Lens, Hannah Holtzman examines this film and the transnational cycle it has inspired, as well as its legacy after the 2011 nuclear disaster at Fukushima Daiichi. In a study that includes formal and theoretical analysis, archival research, and interviews, Holtzman shows the emergence of a new kind of nuclear film, one that attends to the everyday effects of nuclear disaster and its impact on our experience of space and time. The focus on Franco-Japanese exchange in cinema since the postwar period reveals a reorientation of the primarily aesthetic preoccupations in the tradition of Japonisme to center around technological and environmental concerns. The book demonstrates how French filmmakers, ever since Hiroshima mon amour, have looked to Japan in part to better understand nuclear uncertainty in France.