株式会社極東書店トップ＞商品一覧＞ Concepts of Music and Copyright : How Music Perceives Itself and How Copyright Perceives Music.

商品詳細

Name: Concepts of Music and Copyright : How Music Perceives Itself and How Copyright Perceives Music.
Price: 35164 JPY
Availability: BackOrder
Author: Rahmatian, Andreas (ed.)
ISBN: 978-1-78347-818-7

Concepts of Music and Copyright : How Music Perceives Itself and How Copyright Perceives Music. 音楽と著作権の概念

・ISBN 978-1-78347-818-7 hard GB£ 111.00

￥35,164.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。

お気に入り ★★★

カートに入れる

著者・編者	Rahmatian, Andreas (ed.),
出版社	(E. Elgar, UK)
出版年月	2015
ページ数	240 pp.
言語	ENG
ニュース番号	＜628-1168＞

解説

Copyright specialists have often focused on the exploitation of copyright of music and on infringement, but not on the question of how copyright conceptualises music. This highly topical volume brings together specialists in music, musicology and copyright law, providing a genuinely interdisciplinary research approach. It compares and contrasts the concepts of copyright law with those of music and musical performance. Several tensions emerge between the ideas of music as a living art and of the musical work as a basis for copyright protection.

The expert contributors discuss the notions of the musical work, performance, originality, authorship in music and in copyright, and co-ownership from the disciplinary perspectives of music, musicology and copyright law. The book also examines the role of the Musicians' Union in the evolution of performers' rights in UK copyright law, and, in an empirical study, the transaction costs theory for notice-and-takedown regimes in relation to songs uploaded on YouTube.

This unique study offers an interdisciplinary perspective for academics, policymakers and legal practitioners seeking a state-of-the-art understanding of music and copyright law.

Contributors: J. Butt, M. Parker Dixon, A. Firth, P.J. Heald, B. Heile, A. Rahmatian, C. Waelde, J. Williamson