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Democracy and Time in Cuban Thought : The Elusive Present.
・ISBN 978-1-68340-402-6 hard US$ 85.00
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お気に入り
★★★
・ISBN 978-1-68340-426-2 paper US$ 35.00
¥8,200.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Torres, María de los Ángeles, |
|---|---|
| 出版社 | (U. Pr. Florida, US) |
| 出版年月 | 2024.01 |
| ページ数 | 228 pp. |
| 言語 | ENG |
| ニュース番号 | <709-997> |
解説
In this fascinating analysis of political discourse in Cuban culture, Maria de los Angeles Torres focuses on how the concept of time has been employed by different political projects. While the past and future are often evoked in rhetoric associated with authoritarianism, Torres argues, an emphasis on human actions in the present is important for a more democratic political culture, and she searches over a century of Cuban thought for this perspective.
Delving into political texts and essays, literature, and art, Torres puts theories of temporalities in conversation with the Cuban experience. Torres closely examines the use of time and its political implications in Fidel Castro's "History Will Absolve Me" speech, the writings of Jose Marti and Che Guevara, the poetry of Eliseo Diego and the Origenes group, and paintings by Cuban exiles Nereida Garcia Ferraz and Maria Martinez-Canas.
Recent events in Cuba have placed the search for democracy and social justice center stage, and Torres also studies the temporalities underpinning these movements, asking whether these projects are providing alternatives to overused past and future tropes. She suggests ways of thinking for today's activists, encouraging them to remember history and imagine new possibilities while cultivating space for human agency now.
Delving into political texts and essays, literature, and art, Torres puts theories of temporalities in conversation with the Cuban experience. Torres closely examines the use of time and its political implications in Fidel Castro's "History Will Absolve Me" speech, the writings of Jose Marti and Che Guevara, the poetry of Eliseo Diego and the Origenes group, and paintings by Cuban exiles Nereida Garcia Ferraz and Maria Martinez-Canas.
Recent events in Cuba have placed the search for democracy and social justice center stage, and Torres also studies the temporalities underpinning these movements, asking whether these projects are providing alternatives to overused past and future tropes. She suggests ways of thinking for today's activists, encouraging them to remember history and imagine new possibilities while cultivating space for human agency now.