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Museum Visits.
・ISBN 978-0-300-25411-2 paper US$ 16.00
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★★★
| 著者・編者 | Chevillard, Eric / Medin, Daniel (ed.), |
|---|---|
| シリーズ | (The Margellos World Republic of Letters) |
| 出版社 | (Yale University Press, US) |
| 出版年月 | 2024 |
| ページ数 | 152 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A01-83101＞ |
解説
The daring, mischievous micro-essays of award-winning French humorist Eric Chevillard, published in English for the first time
Eric Chevillard is one of France's leading stylists and thinkers, an endlessly inventive observer of the everyday whose erudition and imagination honor the legacy of Swift and Voltaire-with some good-natured postmodern twists.
This ensemble of comic miniatures compiles reflections on chairs, stairs, stones, goldfish, objects found, strangers observed, scenarios imagined, reasonable premises taken to absurd conclusions, and vice versa. The author erects a mental museum for his favorite artworks, only to find it swarming with tourists. He attends a harpsichord recital and lets his passions flare. He happens upon a piece of paper and imagines its sordid back story. He wonders if Hegel's cap, on display in Stuttgart, is really worth the trip.
Throughout, Chevillard's powers of observation chime with his verbal acrobatics. His gaze-initially superficial, then deeply attentive, then practically sociopathic-manages time and again to defamiliarize the familiar with a coherent and charismatic charm. Daniel Levin Becker's translation deftly renders the marvels of the original, and a foreword by Daniel Medin offers rich contextual commentary, making a vital wing of French literature and humor newly accessible in English.
Eric Chevillard is one of France's leading stylists and thinkers, an endlessly inventive observer of the everyday whose erudition and imagination honor the legacy of Swift and Voltaire-with some good-natured postmodern twists.
This ensemble of comic miniatures compiles reflections on chairs, stairs, stones, goldfish, objects found, strangers observed, scenarios imagined, reasonable premises taken to absurd conclusions, and vice versa. The author erects a mental museum for his favorite artworks, only to find it swarming with tourists. He attends a harpsichord recital and lets his passions flare. He happens upon a piece of paper and imagines its sordid back story. He wonders if Hegel's cap, on display in Stuttgart, is really worth the trip.
Throughout, Chevillard's powers of observation chime with his verbal acrobatics. His gaze-initially superficial, then deeply attentive, then practically sociopathic-manages time and again to defamiliarize the familiar with a coherent and charismatic charm. Daniel Levin Becker's translation deftly renders the marvels of the original, and a foreword by Daniel Medin offers rich contextual commentary, making a vital wing of French literature and humor newly accessible in English.