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Scenes from the Revolution: Making Political Theatre 1968 - 2018. 政治劇を作る 1968～2018年
・ISBN 978-0-7453-3852-1 hard GB£ 85.00
￥26,928.- (税込) ※（※）価格はご注文時の参考価格となります。
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版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
・ISBN 978-0-7453-3851-4 paper GB£ 24.99
￥7,916.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Wiltshire, Kim / Cowan, B. (eds.), |
|---|---|
| 出版社 | (Pluto Pr., UK) |
| 出版年月 | 2018 |
| ページ数 | 224 pp. |
| 言語 | ENG |
| ニュース番号 | ＜646-2489 646-P4884＞ |
解説
Political theatre thrives on turbulence. By turning the political issues of the day into a potent, dramatic art form, its practitioners hold up a mirror to our society - with the power to shock, discomfit and entertain.
Scenes from the Revolution is a celebration of fifty years of political theatre in Britain. Including 'lost' scripts from companies including Broadside Mobile Workers Theatre, The Women's Theatre Group and The General Will, with incisive commentary from contemporary political theatre makers, the book asks the essential questions: What can be learnt from our rich history of political theatre? And how might contemporary practitioners apply these approaches to our current politically troubled world?
Beginning with a short history of pre-1968 political theatre - covering Brecht, Joan Littlewood and Ewan McColl - the editors move on to explore agit-prop, working-class theatre, theatre in education, theatre and race, women's theatre and LGBTQ theatre. Featuring many of the leading voices in the field, then and now, Scenes from the Revolution is a must-read for anyone interested in politics in the arts.
Scenes from the Revolution is a celebration of fifty years of political theatre in Britain. Including 'lost' scripts from companies including Broadside Mobile Workers Theatre, The Women's Theatre Group and The General Will, with incisive commentary from contemporary political theatre makers, the book asks the essential questions: What can be learnt from our rich history of political theatre? And how might contemporary practitioners apply these approaches to our current politically troubled world?
Beginning with a short history of pre-1968 political theatre - covering Brecht, Joan Littlewood and Ewan McColl - the editors move on to explore agit-prop, working-class theatre, theatre in education, theatre and race, women's theatre and LGBTQ theatre. Featuring many of the leading voices in the field, then and now, Scenes from the Revolution is a must-read for anyone interested in politics in the arts.