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商品詳細
Against Voluptuous Bodies: Late Modernism and the Meaning of Painting. New edition
・ISBN 978-0-8047-4895-7 paper US$ 35.00
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| 著者・編者 | Bernstein, J. M., |
|---|---|
| シリーズ | (Cultural Memory in the Present) |
| 出版社 | (Stanford University Press, US) |
| 出版年月 | 2006 |
| ページ数 | 416 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A01-52902＞ |
解説
The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W. Adorno. It offers a materialist account of modernism with detailed discussions of modern aesthetics from Kant to Arthur Danto, Stanley Cavell, and Adorno. It discusses in detail competing accounts of modernism: Clement Greenberg, Michael Fried, Yve-Alain Bois, and Thierry de Duve; and it discusses several painters and artists in detail: Pieter de Hooch, Jackson Pollock, Robert Ryman, Cindy Sherman, and Chaim Soutine. Its central thesis is that modernist painting exemplifies a form of rationality that is an alternative to the instrumental rationality of enlightened modernity. Modernist paintings exemplify how nature and the sociality of meaning can be reconciled.