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When Death Falls Apart : Making and Unmaking the Necromaterial Traditions of Contemporary Japan.
・ISBN 978-0-226-82899-2 hard US$ 99.00
￥23,195.- (税込) ※（※）価格はご注文時の参考価格となります。
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お気に入り
★★★
・ISBN 978-0-226-82901-2 paper US$ 30.00
￥7,029.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-0-226-82900-5
| 著者・編者 | Gould, Hannah, |
|---|---|
| 出版社 | (U. Chicago Pr., US) |
| 出版年月 | 2023.12 |
| ページ数 | 208 pp. |
| 言語 | ENG |
| ニュース番号 | ＜705-915＞ |
解説
Through an ethnographic study inside Japan's Buddhist goods industry, this book establishes a method for understanding change in death ritual through attention to the dynamic lifecourse of necromaterials.
Deep in the Fukuyama mountainside, "the grave of the graves" (o-haka no haka) houses acres of unwanted headstones-the material remains of Japan's discarded death rites. In the past, the Japanese dead became venerated ancestors through sustained ritual offerings at graves and at butsudan, Buddhist altars installed inside the home. But in twenty-first-century Japan, this intergenerational system of care is rapidly collapsing.
In noisy carpentry studios, flashy funeral-goods showrooms, neglected cemeteries, and cramped kitchens where women prepare memorial feasts, Hannah Gould analyzes the lifecycle of butsudan, illuminating how they are made, circulate through religious and funerary economies, mediate intimate exchanges between the living and the dead, and-as the population ages, families disperse, and fewer homes have space for large lacquer cabinets-eventually fall into disuse. What happens, she asks, when a funerary technology becomes obsolete? And what will take its place? Gould examines new products better suited to urban apartments: miniature urns and sleek altars inspired by Scandinavian design, even reliquary jewelry. She visits an automated columbarium and considers new ritual practices that embrace impermanence. At an industry expo, she takes on the role of "demonstration corpse." Throughout, Gould invites us to rethink memorialization and describes a distinct form of Japanese necrosociality, one based on material exchanges that seek to both nurture the dead and disentangle them from the world of the living.
Deep in the Fukuyama mountainside, "the grave of the graves" (o-haka no haka) houses acres of unwanted headstones-the material remains of Japan's discarded death rites. In the past, the Japanese dead became venerated ancestors through sustained ritual offerings at graves and at butsudan, Buddhist altars installed inside the home. But in twenty-first-century Japan, this intergenerational system of care is rapidly collapsing.
In noisy carpentry studios, flashy funeral-goods showrooms, neglected cemeteries, and cramped kitchens where women prepare memorial feasts, Hannah Gould analyzes the lifecycle of butsudan, illuminating how they are made, circulate through religious and funerary economies, mediate intimate exchanges between the living and the dead, and-as the population ages, families disperse, and fewer homes have space for large lacquer cabinets-eventually fall into disuse. What happens, she asks, when a funerary technology becomes obsolete? And what will take its place? Gould examines new products better suited to urban apartments: miniature urns and sleek altars inspired by Scandinavian design, even reliquary jewelry. She visits an automated columbarium and considers new ritual practices that embrace impermanence. At an industry expo, she takes on the role of "demonstration corpse." Throughout, Gould invites us to rethink memorialization and describes a distinct form of Japanese necrosociality, one based on material exchanges that seek to both nurture the dead and disentangle them from the world of the living.