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Photo-texts: Contemporary French Writing of the Photographic Image.
・ISBN 978-1-84631-052-2 hard GB£ 119.50
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| 著者・編者 | Stafford, Andrew, |
|---|---|
| シリーズ | (Contemporary French and Francophone Cultures) |
| 出版社 | (Liverpool University Press, UK) |
| 出版年月 | 2010 |
| ページ数 | 256 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A00-99601＞ |
解説
What do photographs want? Do they need any accompaniment in today's image-saturated society? Can writing inflect photography (or vice versa) in such a way that neither medium takes precedence? Or are they in constant, inexorable battle with each other?
Taking nine case studies from the 1990s French-speaking world (from France, North Africa and the Caribbean), this book attempts to define the interaction between non-fictional written text (caption, essay, fragment, poem) and photographic image.
Having considered three categories of 'intermediality' between text and photography - the collaborative, the self-collaborative and the retrospective - the book concludes that the dimensions of their interaction are not simple and two-fold (visuality versus/alongside textuality), but threefold and therefore 'complex'. Thus, the photo-text, as defined here, is concerned as much with orality - the demotic, the popular, the vernacular - as it is with visual and written culture. That text-image collaborations give space to the spoken, spectral traces of human discourse, suggests that the key element of the photo-text is its radical provisionality.