株式会社極東書店トップ ＞ 商品一覧 ＞ Facture: Conservation, Science, Art History: Volume 6: Workshops and Studios.
商品詳細
Facture: Conservation, Science, Art History: Volume 6: Workshops and Studios.
・ISBN 978-0-300-27336-6 paper US$ 35.00
￥8,200.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Barbour, Daphne S. (ed.), |
|---|---|
| 出版社 | (Yale University Press, US) |
| 出版年月 | 2023 |
| ページ数 | 178 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A00-82928＞ |
解説
A technical examination of artists' workshops and studios across history and media, told through the collections of the National Gallery of Art
Volume 6 of the National Gallery of Art's biennial conservation research journal Facture explores the themes of workshops and studios in different cultural contexts and various media. Topics examined include serialization in the Della Robbia workshop, the creative practice of early twentieth-century French bronze founders, the restoration histories of French marbles from the seventeenth and eighteenth centuries, the complex interplay between an artist's technique and the strict competition guidelines of the Prix de Rome, the production of a manuscript by Joris Hoefnagel, and the collaborative nature of an early draft of Freydal ordered by the Holy Roman Emperor Maximilian I. The six peer-reviewed essays, richly illustrated with detailed photography, generate valuable insights for conservators, art historians, and scientific researchers.
Distributed for the National Gallery of Art, Washington
Volume 6 of the National Gallery of Art's biennial conservation research journal Facture explores the themes of workshops and studios in different cultural contexts and various media. Topics examined include serialization in the Della Robbia workshop, the creative practice of early twentieth-century French bronze founders, the restoration histories of French marbles from the seventeenth and eighteenth centuries, the complex interplay between an artist's technique and the strict competition guidelines of the Prix de Rome, the production of a manuscript by Joris Hoefnagel, and the collaborative nature of an early draft of Freydal ordered by the Holy Roman Emperor Maximilian I. The six peer-reviewed essays, richly illustrated with detailed photography, generate valuable insights for conservators, art historians, and scientific researchers.
Distributed for the National Gallery of Art, Washington