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Synchronization and Title Sequences: Audio-Visual Semiosis in Motion Graphics.
・ISBN 978-1-138-08506-0 hard GB£ 67.99
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| 著者・編者 | Betancourt, Michael, |
|---|---|
| シリーズ | (Routledge Studies in Media Theory and Practice) |
| 出版社 | (Routledge, UK) |
| 出版年月 | 2017 |
| ページ数 | 142 pp. |
| 言語 | ENG |
| ニュース番号 | ＜A00-81052＞ |
解説
Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals-from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)-author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics' use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.