株式会社極東書店トップ > 商品一覧 > Hunting Men: Reflections on a Life in American Poetry.
商品詳細
Hunting Men: Reflections on a Life in American Poetry.
・ISBN 978-0-8071-3182-4 paper US$ 35.00
¥8,200.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Smith, Dave, |
|---|---|
| 出版社 | (Louisiana State University Press, US) |
| 出版年月 | 2006 |
| ページ数 | 312 pp. |
| 言語 | ENG |
| ニュース番号 | <A00-59836> |
解説
In Hunting Men, poet Dave Smith reasserts the validity of poetry in our times. With eloquence, grace, and a searching intelligence, Smith illuminates both poems and poets. Believing that ""great poetry cannot be divorced from an intimate, organic link to place,"" he builds a compelling case for the importance of southern poets. Like the hunters who taught Smith as a young man patience, observation, and willingness to rely on his senses, he leads readers on an expedition through a specific poetic place with a sure sense of direction and destination.
Beginning with a discussion of southern poetry that seeks to define the form and its value for a global readership, the first of the book's three sections also includes reflections on Edgar Allan Poe, John Crowe Ransom, Robert Penn Warren, and James Dickey. In the second part, Smith focuses on contemporary poets Richard Hugo, Stephen Dunn, Stephen Dobyns, and Larry Levis, among others. In the final chapters, he examines how he came to be a poet and reflects on the nature and practice of poetry.Smith describes himself as a poet born and raised in the South ""but never entirely comfortable with the neighborhood or many of the public assumptions about southernness."" By describing why southern poetry is important to him, he reveals why poetry matters to all of us as he asserts the moral weight of regional art. ""My success, if it occurs, will be to send readers to the books of the poets where the world, as they knew it, waits and is full of the delights of the unglimpsed and known.
Beginning with a discussion of southern poetry that seeks to define the form and its value for a global readership, the first of the book's three sections also includes reflections on Edgar Allan Poe, John Crowe Ransom, Robert Penn Warren, and James Dickey. In the second part, Smith focuses on contemporary poets Richard Hugo, Stephen Dunn, Stephen Dobyns, and Larry Levis, among others. In the final chapters, he examines how he came to be a poet and reflects on the nature and practice of poetry.Smith describes himself as a poet born and raised in the South ""but never entirely comfortable with the neighborhood or many of the public assumptions about southernness."" By describing why southern poetry is important to him, he reveals why poetry matters to all of us as he asserts the moral weight of regional art. ""My success, if it occurs, will be to send readers to the books of the poets where the world, as they knew it, waits and is full of the delights of the unglimpsed and known.