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The Waxing of the Middle Ages : Revisiting Late Medieval France. 中世後期フランス再考
・ISBN 978-1-64453-291-1 hard US$ 150.00
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お気に入り
★★★
・ISBN 978-1-64453-290-4 paper US$ 47.95
￥11,234.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Morand-Métivier, Charles-Louis / Adams, Tracy (eds.), |
|---|---|
| シリーズ | The Early Modern Exchange |
| 出版社 | (U. Delaware Pr., US) |
| 出版年月 | 2023.04 |
| ページ数 | 284 pp. |
| 言語 | ENG |
| ニュース番号 | ＜693-1783＞ |
解説
Johan Huizinga's much-loved and much-contested Autumn of the Middle Ages, first published in 1919, encouraged an image of the Late French Middle Ages as a flamboyant but empty period of decline and nostalgia. Many studies, particularly literary studies, have challenged Huizinga's perceptions of individual works or genres. Still, the vision of the Late French and Burgundian Middle Ages as a sad transitional phase between the High Middle Ages and the Renaissance persists. Yet, a series of exceptionally significant cultural developments mark the period.
The Waxing of the Middle Ages sets out to provide a rich, complex, and diverse study of these developments and to reassert that late medieval France is crucial in its own right. The collection argues for an approach that views the late medieval period not as an afterthought, or a blind spot, but as a period that is key in understanding the fluidity of time, traditions, culture, and history. Each essay explores some "cultural form," to borrow Huizinga's expression, to expose the false divide that has dominated modern scholarship.
The Waxing of the Middle Ages sets out to provide a rich, complex, and diverse study of these developments and to reassert that late medieval France is crucial in its own right. The collection argues for an approach that views the late medieval period not as an afterthought, or a blind spot, but as a period that is key in understanding the fluidity of time, traditions, culture, and history. Each essay explores some "cultural form," to borrow Huizinga's expression, to expose the false divide that has dominated modern scholarship.