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The Perfection of Nature : Animals, Breeding, and Race in the Renaissance.
・ISBN 978-0-226-82226-6 hard US$ 125.00
￥29,287.- (税込) ※（※）価格はご注文時の参考価格となります。
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お気に入り
★★★
・ISBN 978-0-226-82228-0 paper US$ 37.50
￥8,785.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-0-226-82227-3
| 著者・編者 | Cooley, Mackenzie, |
|---|---|
| 出版社 | (U. Chicago Pr., US) |
| 出版年月 | 2022.11 |
| ページ数 | 344 pp. |
| 言語 | ENG |
| ニュース番号 | ＜692-56＞ |
解説
A deep history of how Renaissance Italy and the Spanish empire were shaped by a lingering fascination with breeding.
The Renaissance is celebrated for the belief that individuals could fashion themselves to greatness, but there is a dark undercurrent to this feted era of history. The same men and women who offered profound advancements in European understanding of the human condition-and laid the foundations of the Scientific Revolution-were also obsessed with controlling that condition and the wider natural world.
Tracing early modern artisanal practice, Mackenzie Cooley shows how the idea of race and theories of inheritance developed through animal breeding in the shadow of the Spanish Empire. While one strand of the Renaissance celebrated a liberal view of human potential, another limited it by biology, reducing man to beast and prince to stud. "Race," Cooley explains, first referred to animal stock honed through breeding. To those who invented the concept, race was not inflexible, but the fragile result of reproductive work. As the Spanish empire expanded, the concept of race moved from nonhuman to human animals. Cooley reveals how, as the dangerous idea of controlled reproduction was brought to life again and again, a rich, complex, and ever-shifting language of race and breeding was born.
Adding nuance and historical context to discussions of race and human and animal relations, The Perfection of Nature provides a close reading of undertheorized notions of generation and its discontents in the more-than-human world.
The Renaissance is celebrated for the belief that individuals could fashion themselves to greatness, but there is a dark undercurrent to this feted era of history. The same men and women who offered profound advancements in European understanding of the human condition-and laid the foundations of the Scientific Revolution-were also obsessed with controlling that condition and the wider natural world.
Tracing early modern artisanal practice, Mackenzie Cooley shows how the idea of race and theories of inheritance developed through animal breeding in the shadow of the Spanish Empire. While one strand of the Renaissance celebrated a liberal view of human potential, another limited it by biology, reducing man to beast and prince to stud. "Race," Cooley explains, first referred to animal stock honed through breeding. To those who invented the concept, race was not inflexible, but the fragile result of reproductive work. As the Spanish empire expanded, the concept of race moved from nonhuman to human animals. Cooley reveals how, as the dangerous idea of controlled reproduction was brought to life again and again, a rich, complex, and ever-shifting language of race and breeding was born.
Adding nuance and historical context to discussions of race and human and animal relations, The Perfection of Nature provides a close reading of undertheorized notions of generation and its discontents in the more-than-human world.