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Decolonizing Contemporary Gospel Music : A Black British Revolutionary Praxis.
・ISBN 978-1-350-08173-4 2023 hard GB£ 90.00
￥28,512.- (税込) ※（※）価格はご注文時の参考価格となります。
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・ISBN 978-1-350-41059-6 2025 paper GB£ 28.99
￥9,183.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-1-350-08177-2
| 著者・編者 | Beckford, Robert, |
|---|---|
| シリーズ | Bloomsbury Studies in Black Religion and Cultures |
| 出版社 | (Bloomsbury Academic, UK) |
| 出版年月 | 2023.07 |
| ページ数 | 264 pp. |
| 言語 | ENG |
| ニュース番号 | ＜690-1000 690-1067＞ |
解説
Is contemporary Black British gospel music a coloniality? What theological message is really conveyed in these songs?
In this book, Robert Beckford shows how the Black British contemporary gospel music tradition is in
crisis because its songs continue to be informed by colonial Christian ideas about God.
Beckford explores the failure of both African and African Caribbean heritage Churches to Decolonise their faith, especially the doctrine of God, biblical interpretation and Black ontology. This predicament has left song leaders, musicians and songwriters with a reservoir of ideas that aim to disavow engagement with the social-historical world, black Biblical interpretation and the necessity of loving blackness.
This book is decolonisation through praxis. Reflecting on the conceptual social justice album 'The Jamaican Bible Remix' (2017) as a communicative resource, Beckford shows how to develop production tools to inscribe decolonial theological thought onto Black British music(s). The outcome of this process is the creation of a decolonial contemporary gospel music genre. The impact of the album is demonstrated through case studies in national and international contexts.