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New Perspectives on Early Cinema History : Concepts, Approaches, Audiences.
・ISBN 978-1-350-18197-7 2022 hard GB£ 95.00
￥30,096.- (税込) ※（※）価格はご注文時の参考価格となります。
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・ISBN 978-1-350-45145-2 2024 paper GB£ 25.99
￥8,233.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-1-350-18200-4
| 著者・編者 | Slugan, Mario / Biltereyst, Daniël (eds.), |
|---|---|
| 出版社 | (Bloomsbury Academic, UK) |
| 出版年月 | 2022.06 |
| ページ数 | 304 pp. |
| 言語 | ENG |
| ニュース番号 | ＜677-1089＞ |
解説
Runner-up of Best Edited Collection at the 2023 BAFTSS Awards
In this book, editors Mario Slugan and Daniel Biltereyst present a theoretical reconceptualization of early cinema. To do so, they highlight the latest methods and tools for analysis, and cast new light on the experience of early cinema through the application of these concepts and methods.
The international host of contributors evaluate examples of early cinema across the globe, including The May Irwin Kiss (1896), Un homme de tetes (1900), The Terrible Turkish Executioner (1904) and Tom Tom the Piper's Son (1905). In doing so, they address the periodization of the era, emphasizing the recent boon in the availability of primary materials, the rise of digital technologies, the developments in new cinema history, and the persistence of some conceptualizations as key incentives for rethinking early cinema in theoretical and methodological terms.
They go on to highlight cutting-edge approaches to the study of early cinema, including the use of the Mediathread Platform, the formation of new datasets with the help of digital technologies, and exploring the early era in non-western cultures. Finally, the contributors revisit early cinema audiences and exhibition contexts by investigating some of the earliest screenings in Denmark and the US, exploring the details of black cinema going in Harlem, and examining exhibition practices in Germany.