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The Maternal, Digital Subjectivity, and the Aesthetics of Interruption.
・ISBN 978-1-5013-6482-2 hard GB£ 100.00
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電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-1-5013-6479-2
| 著者・編者 | Putnam, EL, |
|---|---|
| 出版社 | (Bloomsbury Academic, UK) |
| 出版年月 | 2022.05 |
| ページ数 | 232 pp. |
| 言語 | ENG |
| ニュース番号 | ＜674-1385 674-155＞ |
解説
Bringing together philosophies of the maternal with digital technology may appear to be an arbitrary pairing. However, reading them intertextually through select creative practices reveals how both encompass an aesthetics of interruption that becomes a novel means of understanding subjectivity.
EL Putnam investigates how the digital performances of certain artists, creators, and technologists rupture existing representations of the maternal, taking advantage of the formal properties of digital media. What results are interruptions of visual and aural constructions through an immanent merging of the performing body with digital technologies.
Putnam bases her analysis on close examinations of the way certain makers use the formal properties of digital imagery, such as the gap, the glitch, and the lag, as means of rendering images of the maternal uncanny in order to challenge mediation, constituting an aesthetics of interruption. The result is a radical critical strategy for engaging with digital technology and subsequent understandings of the subject that defy current modes of assimilation.