株式会社極東書店トップ > 商品一覧 > Touching the Unreachable : Writing, Skinship, Modern Japan.
商品詳細
Touching the Unreachable : Writing, Skinship, Modern Japan.
・ISBN 978-0-472-07498-3 hard US$ 70.00
¥16,401.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
・ISBN 978-0-472-05498-5 paper US$ 24.95
¥5,845.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
| 著者・編者 | Innami, Fusako, |
|---|---|
| シリーズ | Michigan Monograph Series in Japanese Studies |
| 出版社 | (U. Michigan Pr., US) |
| 出版年月 | 2021 |
| ページ数 | 252 pp. |
| 言語 | ENG |
| ニュース番号 | <668-1114> |
解説
Finalist: 2025 British Comparative Literature Association First Book Prize July 22, 2025
Fusako Innami offers the first comprehensive study of touch and skinship-relationality with the other through the skin-in modern Japanese writing. The concept of the unreachable-that is, the lack of characters' complete ability to touch what they try to reach for-provides a critical intervention on the issue of intimacy. Touch has been philosophically addressed in France, but literature is an effective-or possibly the most productive-venue for exploring touch in Japan, as literary texts depict what the characters may be concerned with but may not necessarily say out loud. Such a moment of capturing the gap between the felt and the said-the interaction between the body and language-can be effectively analyzed by paying attention to layers of verbalization, or indeed translation, by characters' utterances, authors' depictions, and readers' interpretations. Each of the writers discussed in this book-starting with Nobel prize winner Kawabata Yasunari, Tanizaki Jun'ichiro, Yoshiyuki Junnosuke, and Matsuura Rieko-presents a particular obsession with objects or relationality to the other constructed via the desire for touch.
In Touching the Unreachable, phenomenological and psychoanalytical approaches are cross-culturally interrogated in engaging with literary touch to constantly challenge what may seem like the limit of transferability regarding concepts, words, and practices. The book thereby not only bridges cultural gaps beyond geographic and linguistic constraints, but also aims to decentralize a Eurocentric hegemony in its production and use of theories and brings Japanese cultural and literary analyses into further productive and stimulating intellectual dialogues. Through close readings of the authors' treatment of touch, Innami develops a theoretical framework with which to examine intersensorial bodies interacting with objects and the environment through touch.