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Theorizing Colonial Cinema : Reframing Production, Circulation, and Consumption of Film in Asia. 小田桐拓志他編 植民地の映画の理論化
・ISBN 978-0-253-05974-1 hard US$ 65.00
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・ISBN 978-0-253-05975-8 paper US$ 25.00
￥5,857.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
| 著者・編者 | Kwon, Nayoung Aimee / Odagiri, Takushi / Baek, M. (eds.), |
|---|---|
| シリーズ | New Directions in National Cinemas |
| 出版社 | (Indiana U. Pr., US) |
| 出版年月 | 2022.02 |
| ページ数 | 306 pp. |
| 言語 | ENG |
| ニュース番号 | ＜666-2526＞ |
解説
Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia.
The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideology may be challenged by centering the colonial question rather than relegating it to the periphery. To that end, contributors begin by excavating little-known archives and perspectives from the colonies as a departure from a prevailing focus on Europe's imperial histories and archives about the colonies. The collection pinpoints various forms of devaluation and misrecognition both in and beyond the region that continue to relegate local voices to the margins.
This pathbreaking study on global film history advances prior scholarship by bringing together an array of established and new interdisciplinary voices from film studies, Asian studies, and postcolonial studies to consider how the present is continually haunted by the colonial past.