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Silence, Implicite et Non-Dit chez Rousseau / Silence, the Implicit and the Unspoken in Rousseau.
・ISBN 978-90-04-41138-8 hard EUR 108.00
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電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-90-04-41141-8
| 著者・編者 | Weltman-Aron, Brigitte / Mostefai, Ourida et al. (eds.), |
|---|---|
| シリーズ | Faux Titre |
| 出版社 | (Brill, NE) |
| 出版年月 | 2020 |
| ページ数 | 206 pp. |
| 言語 | ENG,FRE |
| ニュース番号 | ＜658-L70 658-P158＞ |
解説
Silence, Implicite et Non-Dit chez Rousseau/Silence, the Implicit, and the Unspoken in Rousseau prend acte d'un grand nombre de publications ayant trait a l'analyse par Rousseau des langues et du langage, de la parole par rapport a l'ecriture, de la voix (y compris la voix de la nature). Mais ce volume se consacre tout particulierement au fonctionnement et aux effets du silence, de l'implicite et du non-dit dans la pensee de Rousseau. Son approche est a la fois polyvalente et coherente, et ses reflexions sur le silence sont associees a d'autres preoccupations esthetiques, politiques, et morales de son oeuvre.
Silence, Implicite et Non-Dit chez Rousseau/Silence, the Implicit, and the Unspoken in Rousseau capitalizes on a great number of publications dealing with Rousseau's analysis of languages and language, speech versus writing, of voice (including the voice of nature). But this volume is particularly dedicated to the study of the functioning and the effects of silence, the implicit and the unspoken in Rousseau's thought. His approach is both polyvalent and consistent, and his reflections on silence are associated with other aesthetic, political, and moral concerns in his work.
Silence, Implicite et Non-Dit chez Rousseau/Silence, the Implicit, and the Unspoken in Rousseau capitalizes on a great number of publications dealing with Rousseau's analysis of languages and language, speech versus writing, of voice (including the voice of nature). But this volume is particularly dedicated to the study of the functioning and the effects of silence, the implicit and the unspoken in Rousseau's thought. His approach is both polyvalent and consistent, and his reflections on silence are associated with other aesthetic, political, and moral concerns in his work.