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Moulding the Socialist Subject : Cinema and Chinese Modernity (1949-1966).
・ISBN 978-90-04-42351-0 hard EUR 120.00
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電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-90-04-42352-7
| 著者・編者 | Lu, Xiaoning, |
|---|---|
| シリーズ | Ideas, History, and Modern China |
| 出版社 | (Brill, NE) |
| 出版年月 | 2020 |
| ページ数 | 200 pp. |
| 言語 | ENG |
| ニュース番号 | ＜656-L1512 656-L1892＞ |
解説
What role did cinema play in the Chinese Communist Party's political project of shaping ideal socialist citizens in the early People's Republic? In Moulding the Socialist Subject, Xiaoning Lu deploys case studies from popular film genres, movie star culture and rural film exhibition practices to argue that Chinese cinema in 1949-1966, at once an important political instrument, an enjoyable yet instructive form of entertainment, and a specific manifestation of the socialist society of the spectacle, was an everyday site where the moulding of the new socialist person unfolded. While painting a broad picture of Chinese socialist cinema, Lu credits the human agency of film professionals, whose self-reflexivity and individual adaptability played an intrinsic role in the Party's political project.