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The City in American Cinema : Film and Postindustrial Culture.
・ISBN 978-1-78831-318-6 2019 cloth GB£ 120.00
￥38,016.- (税込) ※（※）価格はご注文時の参考価格となります。
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・ISBN 978-1-350-19474-8 2021 paper GB£ 32.99
￥10,451.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-1-350-11564-4
| 著者・編者 | Andersson, Johan / Webb, Lawrence (eds.), |
|---|---|
| シリーズ | International Library of the Moving Image |
| 出版社 | (Bloomsbury Academic, UK) |
| ページ数 | 400 pp. |
| 言語 | ENG |
| ニュース番号 | ＜651-L2116 651-P4760＞ |
解説
How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the "postindustrial" city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification. Examining a wide range of films from Hollywood
blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973),
Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016).