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The Freshman : Comedy and Masculinity in 1920s Film and Youth Culture.
・ISBN 978-1-138-04639-9 2019 hard GB£ 83.99
￥26,607.- (税込) ※（※）価格はご注文時の参考価格となります。
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・ISBN 978-0-367-67181-5 2020 paper GB£ 24.99
￥7,916.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-1-315-17142-5
| 著者・編者 | Petersen, Christina G., |
|---|---|
| シリーズ | Cinema and Youth Cultures |
| 出版社 | (Routledge, UK) |
| ページ数 | 122 pp. |
| 言語 | ENG |
| ニュース番号 | ＜650-L1961 650-P4561＞ |
解説
Before the advent of the teenager in the 1940s and the teenpic in the 1950s, The Freshman (Taylor and Newmeyer, 1925) represented 1920s college youth culture as an exclusive world of leisure to a mass audience. Starring popular slapstick comedian Harold Lloyd, The Freshman was a hit with audiences for its parody of contemporary conceptions of university life as an orgy of proms and football games, becoming the highest grossing comedy feature of the silent era. This book examines The Freshman from a number of perspectives, with a focus on the social, economic, and political context that led to the rise of campus culture as a distinct subculture and popular mass culture in 1920s America; Lloyd's use of slapstick to represent an embodied, youthful middle-class masculinity; and the film's self-reflexive exploration of the conflict between individuality and conformity as an early entry in the youth film genre.