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Art, Cybernetics, and Pedagogy in Post-War Britain : Roy Ascott's Groundcourse.
・ISBN 978-1-138-60557-2 2018 hard GB£ 171.99
￥54,486.- (税込) ※（※）価格はご注文時の参考価格となります。
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・ISBN 978-1-032-33860-6 2022 paper GB£ 43.99
￥13,935.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-0-429-46801-8
| 著者・編者 | Sloan, Kate, |
|---|---|
| シリーズ | Routledge Advances in Art and Visual Studies |
| 出版社 | (Routledge, UK) |
| ページ数 | 260 pp. |
| 言語 | ENG |
| ニュース番号 | ＜647-L2330 647-P4970＞ |
解説
This is the first full-length study about the British artist Roy Ascott, one of the first cybernetic artists, with a career spanning seven decades to date. The book focuses on his early career, exploring the evolution of his early interests in communication in the context of the rich overlaps between art, science and engineering in Britain during the 1950s and 1960s. The first part of the book looks at Ascott's training and early work. The second park looks solely at Groundcourse, Ascott's extraordinary pedagogical model for visual arts and cybernetics which used an integrative and systems-based model, drawing in behaviourism, analogue machines, performance and games. Using hitherto unpublished photographs and documents, this book will establish a more prominent place for cybernetics in post-war British art.