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Contesting the Logic of Painting : Art and Understanding in Eleventh-Century Byzantium.
・ISBN 978-90-04-16271-6 hard EUR 122.00
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電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-90-474-3161-9
| 著者・編者 | Barber, Charles E., |
|---|---|
| シリーズ | Visualising the Middle Ages |
| 出版社 | (Brill, NE) |
| 出版年月 | 2007 |
| ページ数 | 216 pp. |
| 言語 | ENG |
| ニュース番号 | ＜546-L41 546-L449＞ |
解説
Studies of the icon in Byzantium have tended to focus on the iconoclastic era of the eighth- and ninth-centuries. This study shows that discussion of the icon was far from settled by this lengthy dispute. While the theory of the icon in Byzantium was governed by a logical understanding that had limited painting to the visible alone, the four authors addressed in this book struggled with this constraint. Symeon the New Theologian, driven by a desire for divine vision, chose, effectively, to disregard the icon. Michael Psellos used a profound neoplatonism to examine the relationship between an icon and miracles. Eustratios of Nicaea followed the logic of painting to the point at which he could clarify a distinction between painting from theology. Leo of Chalcedon attempted to describe a formal presence in the divine portrait of Christ. All told, these authors open perspectives on the icon that enrich and expand our own modernist understanding of this crucial medium.