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The Rise of Euroskepticism: Europe and Its Critics in Spanish Culture.
・ISBN 978-0-8265-2194-1 cloth US$ 39.95
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★★★
| 著者・編者 | Martín-Estudillo, Luis, |
|---|---|
| 出版社 | (Vanderbilt U. Pr., US) |
| 出版年月 | 2018 |
| ページ数 | 256 pp. |
| 言語 | ENG |
| ニュース番号 | ＜645-L1758 645-L2396＞ |
解説
Covering from 1915 to the present, this book deals with the role that artists and intellectuals have played regarding projects of European integration. Consciously or not, they partake of a tradition of Euroskepticism. Because Euroskepticism is often associated with the discourse of political elites, its literary and artistic expressions have gone largely unnoticed. This book addresses that gap.
Taking Spain as a case study, author Luis Martin-Estudillo analyzes its conflict over its own Europeanness or exceptionalism, as well as the European view of Spain. He ranges from canonical writers like Unamuno, Ortega y Gasset, and Zambrano to new media artists like Valeriano Lopez, Carlos Spottorno, and Santiago Sierra. Martin-Estudillo provides a new context for the current refugee crisis, the North-South divide among EU countries, and the generalized disaffection toward the project of European integration.
The eclipsed critical tradition he discusses contributes to a deeper understanding of the notion of Europe and its institutional embodiments. It gives resonance to the intellectual and cultural history of Europe's ""peripheries"" and re-evaluates Euroskeptic contributions as one of the few hopes left to imagine ways to renew the promise of a union of the European nations.
Taking Spain as a case study, author Luis Martin-Estudillo analyzes its conflict over its own Europeanness or exceptionalism, as well as the European view of Spain. He ranges from canonical writers like Unamuno, Ortega y Gasset, and Zambrano to new media artists like Valeriano Lopez, Carlos Spottorno, and Santiago Sierra. Martin-Estudillo provides a new context for the current refugee crisis, the North-South divide among EU countries, and the generalized disaffection toward the project of European integration.
The eclipsed critical tradition he discusses contributes to a deeper understanding of the notion of Europe and its institutional embodiments. It gives resonance to the intellectual and cultural history of Europe's ""peripheries"" and re-evaluates Euroskeptic contributions as one of the few hopes left to imagine ways to renew the promise of a union of the European nations.