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Dissensual Subjects: Memory, Human Rights, and Postdictatorship in Argentina, Brazil, and Uruguay. アルゼンチン、ブラジル、ウルグアイ における記憶、人権、独裁後
・ISBN 978-0-8101-3637-3 cloth US$ 120.00
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お気に入り
★★★
・ISBN 978-0-8101-3636-6 paper US$ 40.00
￥9,372.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Rajca, Andrew C., |
|---|---|
| シリーズ | Critical Insurgencies |
| 出版社 | (Northwestern U. Pr., US) |
| 出版年月 | 2018 |
| ページ数 | 280 pp. |
| 言語 | ENG |
| ニュース番号 | ＜642-2482 642-P4740＞ |
解説
Dissensual Subjects examines the relationship between memory and human rights in postdictatorial Argentina, Brazil, and Uruguay. Combining cultural studies and critical theory, Andrew C. Rajca explores how the aftereffects of dictatorship are used to formulate dominant notions of human rights in the present. In so doing he critiques the exclusionary nature of these processes and highlights who and what count (and do not count) as subjects of human rights as a result.
Through an engaging exploration of the concept of "never again" (nunca mas/nunca mais) and close analysis of photography exhibits, audiovisual installations, and other art forms in spaces of cultural memory, the book explores how aesthetic interventions can suggest alternative ways of framing human rights subjectivity beyond the rhetoric of liberal humanitarianism. The book visits sites of memory, two of which functioned as detention and torture centers during dictatorships, to highlight the tensions between the testimonial tenor of permanent exhibits and the aesthetic interventions of temporary visual culture installations there. Rajca thus introduces perspectives that both undo common understandings of authoritarian violence and its effects as well as reconfigure who or what are made visible as subjects of memory and human rights in postdictatorship countries.
Dissensual Subjects offers much to those concerned with several interlocking fields: memory, human rights, political subjectivity, aesthetics, cultural studies, visual culture, Southern Cone studies, postdictatorship studies, and sites of memory.
Through an engaging exploration of the concept of "never again" (nunca mas/nunca mais) and close analysis of photography exhibits, audiovisual installations, and other art forms in spaces of cultural memory, the book explores how aesthetic interventions can suggest alternative ways of framing human rights subjectivity beyond the rhetoric of liberal humanitarianism. The book visits sites of memory, two of which functioned as detention and torture centers during dictatorships, to highlight the tensions between the testimonial tenor of permanent exhibits and the aesthetic interventions of temporary visual culture installations there. Rajca thus introduces perspectives that both undo common understandings of authoritarian violence and its effects as well as reconfigure who or what are made visible as subjects of memory and human rights in postdictatorship countries.
Dissensual Subjects offers much to those concerned with several interlocking fields: memory, human rights, political subjectivity, aesthetics, cultural studies, visual culture, Southern Cone studies, postdictatorship studies, and sites of memory.