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The Emergence of Modern Aesthetic Theory : Religion and Morality in Enlightenment Germany and Scotland. 近代美学理論の出現
・ISBN 978-1-107-11092-2 2017 hard GB£ 102.00
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お気に入り
★★★
・ISBN 978-1-107-52770-6 2019 paper GB£ 34.00
￥10,771.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-1-316-27555-9
| 著者・編者 | Grote, Simon, |
|---|---|
| シリーズ | Ideas in Context |
| 出版社 | (Cambridge U. Pr., UK) |
| ページ数 | 306 pp. |
| 言語 | ENG |
| ニュース番号 | ＜639-272 639-L117＞ |
解説
Broad in its geographic scope and yet grounded in original archival research, this book situates the inception of modern aesthetic theory - the philosophical analysis of art and beauty - in theological contexts that are crucial to explaining why it arose. Simon Grote presents seminal aesthetic theories of the German and Scottish Enlightenments as outgrowths of a quintessentially Enlightenment project: the search for a natural 'foundation of morality' and a means of helping naturally self-interested human beings transcend their own self-interest. This conclusion represents an important alternative to the standard history of aesthetics as a series of preludes to the achievements of Immanuel Kant, as well as a reinterpretation of several canonical figures in the German and Scottish Enlightenments. It also offers a foundation for a transnational history of the Enlightenment without the French philosophes at its centre, while solidly endorsing historians' growing reluctance to call the Enlightenment a secularising movement.