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The Limits of Identity : Early Modern Venice, Dalmatia, and the Representation of Difference. アイデンティティの境界－近世のヴェネツィア、 ダルマティア、差異の表象－
・ISBN 978-90-04-33150-1 hard EUR 152.00
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電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-90-04-33151-8
| 著者・編者 | Barzman, Karen-edis, |
|---|---|
| シリーズ | Art and Material Culture in Medieval and Renaissance Europe |
| 出版社 | (Brill, NE) |
| 出版年月 | 2017 |
| ページ数 | 320 pp. |
| 言語 | ENG |
| ニュース番号 | ＜638-2944 638-P5319＞ |
解説
This book considers the production of collective identity in Venice (Christian, civic-minded, anti-tyrannical), which turned on distinctions drawn in various fields of representation from painting, sculpture, print, and performance to classified correspondence. Dismemberment and decapitation bore a heavy burden in this regard, given as indices of an arbitrary violence ascribed to Venice's long-time adversary, "the infidel Turk." The book also addresses the recuperation of violence in Venetian discourse about maintaining civic order and waging crusade. Finally, it examines mobile populations operating in the porous limits between Venetian Dalmatia and Ottoman Bosnia and the distinctions they disrupted between "Venetian" and "Turk" until their settlement on farmland of the Venetian state. This occurred in the eighteenth century with the closing of the borderlands, thresholds of difference against which early modern "Venetian-ness" was repeatedly measured and affirmed.