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Semiotics and Title Sequences : Text-Image Composites in Motion Graphics.
・ISBN 978-1-138-63420-6 2017 hard GB£ 83.99
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・ISBN 978-0-367-88755-1 2019 paper GB£ 25.99
￥8,233.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-1-315-20685-1
| 著者・編者 | Betancourt, Michael, |
|---|---|
| シリーズ | Routledge Studies in Media Theory and Practice |
| 出版社 | (Routledge, UK) |
| ページ数 | 130 pp. |
| 言語 | ENG |
| ニュース番号 | ＜637-L1088 637-P3030＞ |
解説
Title sequences are the most obvious place where photography and typography combine on-screen, yet they are also a commonly neglected part of film studies. Semiotics and Title Sequences presents the first theoretical model and historical consideration of how text and image combine to create meaning in title sequences for film and television, before extending its analysis to include subtitles, intertitles, and the narrative role for typography. Detailed close readings of classic films starting with The Cabinet of Dr. Caligari, and including To Kill A Mockingbird, Dr. Strangelove, and The Good, the Bad and the Ugly, along with designs from television programs such as Magnum P.I., Castle, and Vikings present a critical assessment of title sequences as both an independent art form and an introduction to the film that follows.