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Semiotics and Pragmatics of Stage Improvisation.
・ISBN 978-1-4742-2580-9 hard GB£ 150.00
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・ISBN 978-1-4742-2579-3 paper GB£ 35.99
￥11,401.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
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電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-1-4742-2583-0
| 著者・編者 | Pietropaolo, Domenico, |
|---|---|
| シリーズ | Bloomsbury Advances in Semiotics |
| 出版社 | (Bloomsbury Academic, UK) |
| 出版年月 | 2016 |
| ページ数 | 208 pp. |
| 言語 | ENG |
| ニュース番号 | ＜632-L2265 632-P5096＞ |
解説
Analysis of improvisation as a compositional practice in the Commedia dell'Arte and related traditions from the Renaissance to the 21st century. Domenic Pietropaolo takes textual material from the stage traditions of Italy, France, Germany and England, and covers comedic drama, dance, pantomime and dramatic theory, and more. He shines a light onto 'the signs of improvised communication'.
The book is comprehensive in its analysis of improvised dramatic art across theatrical genres, and is multimodal in looking at the spoken word, gestural and non-verbal signs. The book focusses on dramatic text as well as:
- The semiotics of stage discourse, including semantic, syntactic and pragmatic aspects of sign production
- The physical and material conditions of sign-production including biomechanical limitations of masks and costumes.
Semiotics and Pragmatics of Stage Improvisation is the product of an entire career spent researching the semiotics of the stage and it is essential reading for semioticians and students of performance arts.