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"Trash", Censorship, and National Identity in Early Twentieth-Century Germany. 20世紀初期のドイツにおける「駄作」、検閲、 ナショナル・アイデンティティ
・ISBN 978-1-107-13204-7 2016 hard GB£ 95.00
￥30,096.- (税込) ※（※）価格はご注文時の参考価格となります。
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お気に入り
★★★
・ISBN 978-1-107-58344-3 2019 paper GB£ 34.00
￥10,771.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-1-316-44375-0
| 著者・編者 | Ritzheimer, Kara L., |
|---|---|
| 出版社 | (Cambridge U. Pr., UK) |
| ページ数 | 318 pp. |
| 言語 | ENG |
| ニュース番号 | ＜632-2810 632-P4910＞ |
解説
Convinced that sexual immorality and unstable gender norms were endangering national recovery after World War One, German lawmakers drafted a constitution in 1919 legalizing the censorship of movies and pulp fiction, and prioritizing social rights over individual rights. These provisions enabled legislations to adopt two national censorship laws intended to regulate the movie industry and retail trade in pulp fiction. Both laws had their ideological origins in grass-roots anti-'trash' campaigns inspired by early encounters with commercial mass culture and Germany's federalist structure. Before the war, activists characterized censorship as a form of youth protection. Afterwards, they described it as a form of social welfare. Local activists and authorities enforcing the decisions of federal censors made censorship familiar and respectable even as these laws became a lightning rod for criticism of the young republic. Nazi leaders subsequently refashioned anti-'trash' rhetoric to justify the stringent censorship regime they imposed on Germany.