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The Art of Cloning : Creative Production during China's Cultural Revolution. 文化大革命期の創造的生産
・ISBN 978-1-78478-519-2 hard GB£ 70.00
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お気に入り
★★★
・ISBN 978-1-78478-520-8 paper GB£ 20.99
￥6,649.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Laikwan, Pang, |
|---|---|
| 出版社 | (Verso, UK) |
| 出版年月 | 2017 |
| ページ数 | 208 pp. |
| 言語 | ENG |
| ニュース番号 | ＜633-P3276 633-P4057＞ |
解説
Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity
In the 1950s, a French journalist joked that the Chinese were "blue ants under the red flag," dressing identically and even moving in concert like robots. When the Cultural Revolution officially began, this uniformity seemed to extend to the mind. From the outside, China had become a monotonous world, a place of endless repetition and imitation, but a closer look reveals a range of cultural experiences, which also provided individuals with an obscure sense of freedom.
In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, traveled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. But it was far from boring and was possessed of its own kind of diversity.
In the 1950s, a French journalist joked that the Chinese were "blue ants under the red flag," dressing identically and even moving in concert like robots. When the Cultural Revolution officially began, this uniformity seemed to extend to the mind. From the outside, China had become a monotonous world, a place of endless repetition and imitation, but a closer look reveals a range of cultural experiences, which also provided individuals with an obscure sense of freedom.
In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, traveled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. But it was far from boring and was possessed of its own kind of diversity.