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商品詳細
Doing Time : Temporality, Hermeneutics, and Contemporary Cinema.
・ISBN 978-1-4384-6085-7 2016 cloth US$ 104.00
￥24,367.- (税込) ※（※）価格はご注文時の参考価格となります。
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・ISBN 978-1-4384-6086-4 2017 paper US$ 35.95
￥8,422.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
| 著者・編者 | Carruthers, Lee, |
|---|---|
| シリーズ | SUNY Series, Horizons of Cinema |
| 出版社 | (State U. New York Pr., US) |
| ページ数 | 192 pp. |
| 言語 | ENG |
| ニュース番号 | ＜631-L1622＞ |
解説
Proposes that cinematic time is not a fixed idea, but a dynamic exchange between film and viewer.
Doing Time addresses two areas of interest in recent film study-film temporality and film philosophy-to propose an innovative theorization of cinematic time that sees it as a dynamic process of engagement, or something we do as viewers. This active relation to cinematic time, which discloses a film's temporal character, is called its "timeliness." Here it is traced across a range of fascinating case studies from Hollywood and the global art cinema, uncovering each film's characteristic way of "doing time." Throughout, the ambiguities of filmic time are held as powerful attractions as they modulate film viewing: such pauses, gaps, repetitions, and stretches of time illuminate a living field that extends from viewing activity.
Drawing on the writings of French film critic and theorist Andre Bazin, as well as the phenomenology of Martin Heidegger and Maurice Merleau-Ponty, Lee Carruthers forwards a claim about the value of cinematic time for thinking. She also raises the tasks of film analysis and interpretation to renewed visibility. By prioritizing the viewer's experience of filmic temporality, and offering a rich vocabulary for describing this exchange, Carruthers articulates a new sphere of theoretical inquiry that invites film viewers (and readers) to participate.