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Uplift Cinema : The Emergence of African American Film and the Possibility of Black Modernity. アフリカ系アメリカ人映画の出現とブラック・モダニティの可能性
・ISBN 978-0-8223-5907-4 cloth US$ 139.95
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お気に入り
★★★
・ISBN 978-0-8223-5881-7 paper US$ 34.95
￥8,188.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Field, Allyson Nadia, |
|---|---|
| 出版社 | (Duke U. Pr., US) |
| 出版年月 | 2015 |
| ページ数 | 368 pp. |
| 言語 | ENG |
| ニュース番号 | ＜622-1838＞ |
解説
In Uplift Cinema, Allyson Nadia Field recovers the significant yet forgotten legacy of African American filmmaking in the 1910s. Like the racial uplift project, this cinema emphasized economic self-sufficiency, education, and respectability as the keys to African American progress. Field discusses films made at the Tuskegee and Hampton Institutes to promote education, as well as the controversial The New Era, which was an antiracist response to D. W. Griffith's The Birth of a Nation. She also shows how Black filmmakers in New York and Chicago engaged with uplift through the promotion of Black modernity. Uplift cinema developed not just as a response to onscreen racism, but constituted an original engagement with the new medium that has had a deep and lasting significance for African American cinema. Although none of these films survived, Field's examination of archival film ephemera presents a method for studying lost films that opens up new frontiers for exploring early film culture.