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An Invitation to Explore the Viaducts of our Minds : Ideology Critique in American Literature and Film during the Seventies.
・ISBN 978-3-631-65150-6 soft SFR 28.10
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| 著者・編者 | Schenk, Sandra, |
|---|---|
| シリーズ | European University Studies: Series 14, Anglo-Saxon Language and Literature |
| 出版社 | (PL Academic Research, SZ) |
| 出版年月 | 2014 |
| ページ数 | x, 108 pp. |
| 言語 | ENG |
| ニュース番号 | ＜619-L608＞ |
解説
Artists explored the dark places of the American experience during the seventies. After providing an overview of the rhetorical device allegory, Barthes's concept of mythology and Foucault's concept of power relations, the author establishes a connection between the works of art under discussion. The early seventies are represented by Wes Craven's The Last House on the Left, Peter Watkins's Punishment Park, and Hubert Selby, Jr.'s The Room. The late seventies are represented by Philip K. Dick's A Scanner Darkly, Gustav Hasford's The Short Timers and George A. Romero's Dawn of the Dead. The book traces a shift from relations between bodies and authority towards bodies and technology.