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Deleuze, Japanese Cinema, and the Atom Bomb. ドゥルーズ、日本映画、原子爆弾
・ISBN 978-1-4411-7815-2 2014 hard GB£ 140.00
￥44,352.- (税込) ※（※）価格はご注文時の参考価格となります。
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・ISBN 978-1-5013-1773-6 2016 paper GB£ 31.99
￥10,134.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-1-5013-0015-8
| 著者・編者 | Deamer, David, |
|---|---|
| シリーズ | Thinking Cinema |
| 出版社 | (Bloomsbury Academic, UK) |
| ページ数 | 288 pp. |
| 言語 | ENG |
| ニュース番号 | ＜607-2568 607-L847＞ |
解説
David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema.
Each chapter begins by focusing upon one or more of three key Deleuzian themes - image, history and thought - before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics - Godzilla (1954), Akira (1988) and Tetsuo (1989); contemporary genre flicks - Ring (1998), Dead or Alive (1999) and Casshern (2004); the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.