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Women in Japanese Cinema : Alternative Perspectives. 日本映画における女性
・ISBN 978-0-9832991-5-8 cloth US$ 65.00
￥15,229.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
・ISBN 978-0-9832991-4-1 paper US$ 35.00
￥8,200.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Prindle, Tamae K., |
|---|---|
| 出版社 | (Merwin Asia, US) |
| 出版年月 | 2016 |
| ページ数 | 350 pp. |
| 言語 | ENG |
| ニュース番号 | ＜596-1914 596-L706＞ |
解説
By studying Japanese films and their associated literature, this book reveals the covert stories of Japanese women of various statuses and time periods in an exegesis of their story versus orthodox history. Fifteen films are studied to bring this theme into focus. They are: Imamura Shohei's The Ballad of Narayama, Naruse Mikio's Mother, Idemitsu Mako's Great Mother, Kinugasa Teinousuke's Gate of Hell, Kurosawa Akira's No Regrets for Our Youth, Kuwabata Kagenobu's Love and Lie, Toyoda Shiro's The Mistress, Kumai Kei's Sandakan Brothel No. 8, Takahashi Banmei's A New Love in Tokyo, Nishikawa Katsumi's A Dancing Girl in Izu, Obayashi Nobuhiko's Chizuko's Younger Sister, Ichikawa Jun's Tsugumi, Mizoguchi Kenji's Life of Oharu, Itami Juzo's Tampopo, and Ishikawa Jun's Grass Fish on a Tree.
The five chapters, ""Mother,"" ""Wife,"" ""Whore,"" ""Girl"" and ""Woman,"" represent categories the public used to code Japanese women in the pre-feminist age. Each chapter features three films depicting women in the pre-modern age, in the World War II period, and in late twentieth century Japan, and each embraces the three films within the thematic perspective of ecological feminism, sexuality, alienation, illusion, and power-over/power-to, respectively.
The book sheds light on cultural, historical, and/or ideological backgrounds of the films under study in important new ways and breaks new ground in the study of women in Japanese culture.
The five chapters, ""Mother,"" ""Wife,"" ""Whore,"" ""Girl"" and ""Woman,"" represent categories the public used to code Japanese women in the pre-feminist age. Each chapter features three films depicting women in the pre-modern age, in the World War II period, and in late twentieth century Japan, and each embraces the three films within the thematic perspective of ecological feminism, sexuality, alienation, illusion, and power-over/power-to, respectively.
The book sheds light on cultural, historical, and/or ideological backgrounds of the films under study in important new ways and breaks new ground in the study of women in Japanese culture.