株式会社極東書店トップ ＞ 商品一覧 ＞ The Long History of New Media : Technology, Historiography, and Contextualizing Newness.
商品詳細
The Long History of New Media : Technology, Historiography, and Contextualizing Newness. ニューメディアの長い歴史 －技術、歴史叙述、新しさの文脈の説明－
・ISBN 978-1-4331-1441-0 hard SFR 171.60
￥49,454.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
・ISBN 978-1-4331-1440-3 paper SFR 46.95
￥13,530.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Park, David W. / Jankowski, N. W. / Jones, S. (eds.), |
|---|---|
| シリーズ | Digital Formations |
| 出版社 | (P. Lang, SZ) |
| 出版年月 | 2011 |
| ページ数 | xviii, 350 pp. |
| 言語 | ENG |
| ニュース番号 | ＜587-2469＞ |
解説
This volume examines the role of history in the study of new media and of newness itself, discussing how the 'new' in new media must be understood to be historically constructed. Furthermore, the new is constructed with an eye on the future, or more correctly, an eye on what we think the future will be.
Chapters by eminent scholars address the connection between historical consideration and new media. Some assess the historical descriptions of the development of new media; others hinge on the issue of newness as it relates to existing practices in media history. Remaining essays address the shifting patterns of storage at work in media inscription, as they relate to the practice of history, and to the past and contemporary cultural formations. Together they offer a ground-breaking assessment of the long history of new media, clearly recognizing that the new media of today will be the traditional media of tomorrow, and that an emphasis on the history of the future sheds light on what this newness can be said to represent.
Chapters by eminent scholars address the connection between historical consideration and new media. Some assess the historical descriptions of the development of new media; others hinge on the issue of newness as it relates to existing practices in media history. Remaining essays address the shifting patterns of storage at work in media inscription, as they relate to the practice of history, and to the past and contemporary cultural formations. Together they offer a ground-breaking assessment of the long history of new media, clearly recognizing that the new media of today will be the traditional media of tomorrow, and that an emphasis on the history of the future sheds light on what this newness can be said to represent.