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Film and Attraction : From Kinematography to Cinema. Tr. by T. Barnard. [英訳] 映画と魅力－キネマトグラフィーから映画へ
・ISBN 978-0-252-03583-8 cloth US$ 110.00
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お気に入り
★★★
・ISBN 978-0-252-07805-7 paper US$ 32.00
￥7,497.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Gaudreault, André, |
|---|---|
| 出版社 | (U. Illinois Pr., US) |
| 出版年月 | 2011 |
| ページ数 | 240 pp. |
| 言語 | ENG |
| ニュース番号 | ＜581-1782＞ |
解説
Establishing a new vision for film history, Film and Attraction: From Kinematography to Cinema urges readers to consider the importance of complex social and cultural forces in early film. Andre Gaudreault argues that Edison and the Lumieres did not invent cinema; they invented a device. Explaining how this device, the kinematograph, gave rise to cinema is the challenge he sets for himself in this volume. He highlights the forgotten role of the film lecturer and examines film's relationship with other visual spectacles in fin-de-siecle culture, from magic sketches to fairy plays and photography to vaudeville. In reorienting the study of film history, Film and Attraction offers a candid reassessment of Georges Melies' rich oeuvre and includes a new, unabridged translation of Melies' famous 1907 text "Kinematographic Views." A foreword by Rick Altman stresses the relevance of Gaudreault's concerns to Anglophone film scholarship.