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Kant's Concept of Genius : Its Origin and Function in the Third Critique. カントの天才概念－『第三批判』におけるその起源と機能
・ISBN 978-1-4411-3911-5 2010 hard GB£ 150.00
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お気に入り
★★★
・ISBN 978-1-4411-3254-3 2011 paper GB£ 38.99
￥12,351.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-1-4725-4571-8
| 著者・編者 | Bruno, Paul W., |
|---|---|
| シリーズ | Continuum Studies in Philosophy |
| 出版社 | (Continuum, UK) |
| ページ数 | 176 pp. |
| 言語 | ENG |
| ニュース番号 | ＜575-65＞ |
解説
While many studies have chronicled the Romantic legacy of artistic genius, this book uncovers the roots of the concept of genius in Kant's third Critique, alongside the development of his understanding of nature. Paul Bruno addresses a genuine gap in the existing scholarship by exploring the origins of Kant's thought on aesthetic judgment and particularly the artist. The development of the word 'genius' and its intimate association with the artist played itself out in a rich cultural context, a context that is inescapably significant in Western thought. Bruno shows how in many ways we are still interrogating the ways in which a nature governed by physical laws can be reconciled with a spirit of human creativity and freedom. This book leads us to a better understanding of the centrality of understanding the modern artistic enterprise, characterized as it is by creativity, for modern conceptions of the self.