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Viewing African Cinema in the Twenty-first Century : Art Films and the Nollywood Video Revolution. 21世紀のアフリカ映画を見る －芸術映画とノリウッドのビデオ革命－
・ISBN 978-0-8214-1930-4 cloth US$ 80.00
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・ISBN 978-0-8214-1931-1 paper US$ 32.95
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| 著者・編者 | Saul, Mahir / Austen, R. A. (eds.), |
|---|---|
| 出版社 | (Ohio U. Pr., US) |
| 出版年月 | 2010 |
| ページ数 | 248 pp. |
| 言語 | ENG |
| ニュース番号 | ＜574-1900＞ |
解説
African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in 1969 the biennial Festival panafricain du cinema et de la television de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These "Nollywood" films, so named because many originate in southern Nigeria, are a thriving industry dominating the world of African cinema.
Viewing African Cinema in the Twenty-first Century is the first book to bring together a set of essays offering a comparison of these two main African cinema modes.
Contributors: Ralph A. Austen and Mahir Saul, Jonathan Haynes, Onookome Okome, Birgit Meyer, Abdalla Uba Adamu, Matthias Krings, Vincent Bouchard, Laura Fair, Jane Bryce, Peter Rist, Stefan Sereda, Lindsey Green-Simms, and Cornelius Moore