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Sex, Violence, and the Avant-Garde

Sex, Violence, and the Avant-Garde : Anarchism in Interwar France. 戦間期のフランスにおけるアナーキズム

・ISBN 978-0-271-03663-2 2010 cloth US$ 72.95

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・ISBN 978-0-271-03664-9 2013 paper US$ 30.95

¥7,251.- (税込) (※)価格はご注文時の参考価格となります。
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著者・編者Sonn, Richard D.,
出版社(Pennsylvania State U. Pr., US)
ページ数272 pp.
言語ENG
ニュース番号<573-2764>

解説

I am aware of no fuller treatment of French interwar anarchism than Richard Sonn's Sex, Violence, and the Avant-Garde. In addition to providing a rich examination of anarchism's engagement with the politics of sexuality and the body, it demonstrates how important the movement was to surrealism as well. --Christopher E. Forth, The University of Kansas, author of The Dreyfus Affair and the Crisis of French Manhood. ""In this continuation of his study of French anarchism, Richard Sonn demonstrates persuasively that anarchism as theory and practice survived in some of its characteristic forms throughout the 1920s and '30s and later provided a remote but genuine inspiration for the radical and personal experiments of the 1960s. His history is a series of lively portraits of the declining fortunes or tragic failures of individual anarchists whose efforts to reform or destabilize the social and political order ranged from aesthetic experiments and eugenics to schemes for transforming human sexuality and gender."" --Robert A. Nye, Oregon State University.By the end of World War I, the conflict between anarchism and the state had largely been eclipsed by the competing forces of liberalism, fascism, and communism. To combat their slide into irrelevance, French anarchists, especially those called individualists, redirected their attentions from violent revolution and general strikes to ethical issues that focused on personal liberation. Chief among these issues was sexual freedom, sought not only for the sake of pleasure but also to undermine the authoritarian family, bulwark of the patriarchal state. In this revelatory book, Richard Sonn approaches the French anarchist movement during this period from a sociocultural perspective, considering the relationship between anarchism and the artistic avant-garde and surrealism, political violence and terrorism, sexuality and sexual politics, and gender roles. He shows that, contrary to popular belief, anarchism in theory and practice played a significant role in the culture of interwar France.