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Maoist Model Theatre : The Semiotics of Gender and Sexuality in the Chinese Cultural Revolution (1966 - 1976). 中国文化大革命における ジェンダーとセクシュアリティの記号論
・ISBN 978-90-04-17744-4 2009 hard EUR 121.00
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お気に入り
★★★
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-90-474-3088-9
| 著者・編者 | Roberts, Rosemary A., |
|---|---|
| シリーズ | Women and Gender in China Studies |
| 出版社 | (Brill, NE) |
| ページ数 | 224 pp. |
| 言語 | ENG |
| ニュース番号 | ＜568-1859 568-L280＞ |
解説
Here is a convincing reflection that changes our understanding of gender in Maoist culture, esp. for what critics from the 1990s onwards have termed its 'erasure' of gender and sexuality. In particular the strong heroines of the yangbanxi, or 'model works' which dominated the Cultural Revolution period, have been seen as genderless revolutionaries whose images were damaging to women. Drawing on contemporary theories ranging from literary and cultural studies to sociology, this book challenges that established view through detailed semiotic analysis of theatrical systems of the yangbanxi including costume, props, kinesics, and various audio and linguistic systems. Acknowledging the complex interplay of traditional, modern, Chinese and foreign gender ideologies as manifest in the 'model works', it fundamentally changes our insights into gender in Maoist culture.