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Baader-Meinhof Returns : History and Cultural Memory of German Left-Wing Terrorism.
・ISBN 978-90-420-2391-8 hard EUR 104.00
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電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-90-420-3215-6
| 著者・編者 | Berendse, Gerrit-Jan / Cornils, I. (eds.), |
|---|---|
| シリーズ | German Monitor |
| 出版社 | (Rodopi, NE) |
| 出版年月 | 2008 |
| ページ数 | 345 pp. |
| 言語 | ENG |
| ニュース番号 | ＜554-L133 554-L248＞ |
解説
This volume is dedicated to the study of artistic and historical documents that recall German left-wing terrorism in the 1970s. It is intended to contribute to a better understanding of this violent epoch in Germany's recent past and the many ways it is remembered.
The cultural memory of the RAF past is a useful device to disentangle the complex relationship between terror and the arts. This bond has become a particularly pressing matter in an era of a new, so-called global terrorism when the culture industry is obviously fascinated with terror.
Fourteen scholars of visual cultures and contemporary literature offer in-depth investigations into the artistic process of engaging with West Germany's era of political violence in the 1970s. The assessments are framed by two essays from historians: one looks back at the previously ignored anti-Semitic context of 1970s terrorism, the other offers a thought-provoking epilogue on the extension of the so-called Stammheim syndrome to the debate on the treatment of prisoners in Guantanamo Bay. The contributions on cultural memory argue that any future memory of German left-wing terrorism will need to acknowledge the inseparable bond between terror and the artistic response it produces.
The cultural memory of the RAF past is a useful device to disentangle the complex relationship between terror and the arts. This bond has become a particularly pressing matter in an era of a new, so-called global terrorism when the culture industry is obviously fascinated with terror.
Fourteen scholars of visual cultures and contemporary literature offer in-depth investigations into the artistic process of engaging with West Germany's era of political violence in the 1970s. The assessments are framed by two essays from historians: one looks back at the previously ignored anti-Semitic context of 1970s terrorism, the other offers a thought-provoking epilogue on the extension of the so-called Stammheim syndrome to the debate on the treatment of prisoners in Guantanamo Bay. The contributions on cultural memory argue that any future memory of German left-wing terrorism will need to acknowledge the inseparable bond between terror and the artistic response it produces.