株式会社極東書店トップ商品一覧Postsocialism and Cultural Politics : China in the Last Decade of the Twentieth Century.

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Postsocialism and Cultural Politics

Postsocialism and Cultural Politics : China in the Last Decade of the Twentieth Century. ポストコロニアリズムと文化政治-20世紀末の中国

・ISBN 978-0-8223-4212-0 cloth US$ 117.95

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・ISBN 978-0-8223-4230-4 paper US$ 39.95

¥9,359.- (税込) (※)価格はご注文時の参考価格となります。
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著者・編者Zhang, Xudong,
シリーズPost-Contemporary Interventions
出版社(Duke U. Pr., US)
出版年月2008
ページ数346 pp.
言語ENG
ニュース番号<552-1227>

解説

In Postsocialism and Cultural Politics, Xudong Zhang offers a critical analysis of China's "long 1990s," the tumultuous years between the 1989 Tiananmen Square crackdown and China's entry into the World Trade Organization in 2001. The 1990s were marked by Deng Xiaoping's market-oriented reforms, the Taiwan missile crisis, the Asian financial crisis, and the end of British colonial rule of Hong Kong. Considering developments including the state's cultivation of a market economy, the aggressive neoliberalism that accompanied that effort, the rise of a middle class and a consumer culture, and China's entry into the world economy, Zhang argues that Chinese socialism is not over. Rather it survives as postsocialism, which is articulated through the discourses of postmodernism and nationalism and through the co-existence of multiple modes of production and socio-cultural norms. Highlighting China's uniqueness, as well as the implications of its recent experiences for the wider world, Zhang suggests that Chinese postsocialism illuminates previously obscure aspects of the global shift from modernity to postmodernity.

Zhang examines the reactions of intellectuals, authors, and filmmakers to the cultural and political conflicts in China during the 1990s. He offers a nuanced assessment of the changing divisions and allegiances within the intellectual landscape, and he analyzes the postsocialist realism of the era through readings of Mo Yan's fiction and the films of Zhang Yimou. With Postsocialism and Cultural Politics, Zhang applies the same keen insight to China's long 1990s that he brought to bear on the 1980s in Chinese Modernism in the Era of Reforms.