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Sentenced to Everyday Life : Feminism and the Housewife. フェミニズムと主婦
・ISBN 978-1-84520-031-2 cloth GB£ 130.00
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お気に入り
★★★
・ISBN 978-1-84520-032-9 paper GB£ 34.99
¥11,084.- (税込) ※(※)価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
電子版あり 大学・学術機関向け電子ブック(eBook)ISBN 978-1-4742-1547-3
| 著者・編者 | Johnson, Lesley / Lloyd, J., |
|---|---|
| 出版社 | (Berg, UK) |
| 出版年月 | 2004 |
| ページ数 | 182 pp. |
| 言語 | ENG |
| ニュース番号 | <511-1438 513-1490> |
解説
The history of the housewife is a complicated and uneasy narrative, rife with contradictions, tensions, and unanswered questions. In response to this, Sentenced to Everyday Life marks an important cross-generational moment in feminism. Challenging our previous understandings of what constitutes the housewife figure, this book tugs at a critical issue still unresolved in the contemporary world: what is the relationship between women and the home? And why are women so reluctant to call themselves housewives? Drawing on research and evidence surrounding the housewife figure of the 1940s and 1950s, Johnson and Lloyd address the question of why the housewife has been such a problematic figure in feminist debates since World War II. Starting with an exploration of why the housewife of the 1940s became associated with drudgery, this book covers such topics as the ways in which magazines and advertising attempted to articulate an innate connection between women and the domestic sphere, while later films of the 1950s explored the constantly shifting boundaries between social, family and individual desires and constraints for women in the home. Johnson and Lloyd also examine how the home has been a site of boredom, and what happens to the balance between work and family in the modern world. In moving into contemporary debates, the authors explore the uneasy tension between the construction of the modern self and women's efforts to transcend the domestic sphere. By situating their examination in a still unresolved contemporary topic, Johnson and Lloyd offer us both a backward glance and a forward-looking perspective into domesticity and the modern self.