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Arts under Pressure : Promoting Cultural Diversity in the Age of Globalisation. 圧力を受ける芸術 －グローバル化の時代に文化的多様性を促進する－
・ISBN 978-1-84277-262-1 hard GB£ 70.00
￥22,176.- (税込) ※（※）価格はご注文時の参考価格となります。
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お気に入り
★★★
・ISBN 978-1-84277-263-8 paper GB£ 31.99
￥10,134.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Smiers, Joost, |
|---|---|
| 出版社 | (Zed Books, UK) |
| 出版年月 | 2003 |
| ページ数 | 320 pp. |
| 言語 | ENG |
| ニュース番号 | ＜497-1340＞ |
解説
Arts Under Pressure analyses the relevant forces behind decision making in cultural matters worldwide under the influence of economic globalisation.
The book deals with all the arts, in all parts of the world and focuses on the cycle of creation, production, distribution, promotion, reception and influence. It asks: who has the power to decide what reaches audiences, in what quantities, with what contents and surrounded by what kinds of ambiances? Refuting the 'natural' existence of a mass culture, Arts Under Pressure argues that globally dominant artistic creations are produced, distributed and promoted on a mass scale that destroys the diversity any society desperately needs. Smiers argues that countries must take culture out of the grip of the WTO and sign a new International Convention on Cultural Diversity.
Smiers concludes with a completely new vision of copyright, advantageous to artists, third world countries and the public domain.
The book deals with all the arts, in all parts of the world and focuses on the cycle of creation, production, distribution, promotion, reception and influence. It asks: who has the power to decide what reaches audiences, in what quantities, with what contents and surrounded by what kinds of ambiances? Refuting the 'natural' existence of a mass culture, Arts Under Pressure argues that globally dominant artistic creations are produced, distributed and promoted on a mass scale that destroys the diversity any society desperately needs. Smiers argues that countries must take culture out of the grip of the WTO and sign a new International Convention on Cultural Diversity.
Smiers concludes with a completely new vision of copyright, advantageous to artists, third world countries and the public domain.