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Cord of Blood : Possession and the Making of Voodoo. 血のきずな－所有とヴードゥーの形成
・ISBN 978-0-7453-1842-4 hard GB£ 85.00
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お気に入り
★★★
・ISBN 978-0-7453-1841-7 paper GB£ 27.99
￥8,867.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
お気に入り
★★★
| 著者・編者 | Lovell, Nadia, |
|---|---|
| シリーズ | Anthropology, Culture and Society |
| 出版社 | (Pluto Pr., UK) |
| 出版年月 | 2002 |
| ページ数 | 184 pp. |
| 言語 | ENG |
| ニュース番号 | ＜491-1466＞ |
解説
The relationship between human beings and their gods lies at the centre of all questions of identity, individual and collective. Nadia Lovell examines how religious feelings reflect notions of personhood and belonging, and how religious involvement can transform gender relations, by focusing on cults of Vodhun (voodoo) possession among the Watchi in Southern Togo.
Using this detailed ethnographic study as a point of departure she offers a fascinating insight into the complex interplay between religion, gender, ethnography and globalisation.
Lovell argues that the relationship of men and women to the Vodhun is one of mutual dependency: on the one hand human beings will gods to exist; on the other hand, gods embody themselves in human beings, especially women, through possession. Possession, according to Lovell, implies not only affliction, but the manifestation of creative potential through which women can express multiple identities -- a process through which concepts of gender are both confirmed and dismantled.
Looking in particular at the role of the devotees, Lovell presents an enticing account which offers an important contribution to the study of religion, gender and society.
Using this detailed ethnographic study as a point of departure she offers a fascinating insight into the complex interplay between religion, gender, ethnography and globalisation.
Lovell argues that the relationship of men and women to the Vodhun is one of mutual dependency: on the one hand human beings will gods to exist; on the other hand, gods embody themselves in human beings, especially women, through possession. Possession, according to Lovell, implies not only affliction, but the manifestation of creative potential through which women can express multiple identities -- a process through which concepts of gender are both confirmed and dismantled.
Looking in particular at the role of the devotees, Lovell presents an enticing account which offers an important contribution to the study of religion, gender and society.