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Hong Kong Cinema : Coloniser, Motherland and Self.
・ISBN 978-0-7007-1746-0 2002 hard GB£ 145.00
￥45,936.- (税込) ※（※）価格はご注文時の参考価格となります。
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・ISBN 978-0-415-54633-1 2009 paper GB£ 55.99
￥17,737.- (税込) ※（※）価格はご注文時の参考価格となります。
納品価格につきましては書籍の入荷時点で確定となります。
版元の原価改定、外国為替の変動等により異なる場合がございますので、予めご了承下さい。
電子版あり 大学・学術機関向け電子ブック（eBook）ISBN 978-0-203-22207-2
| 著者・編者 | Chu, Yingchi, |
|---|---|
| 出版社 | (Curzon Pr., UK) |
| ページ数 | 288 pp. |
| 言語 | ENG |
| ニュース番号 | ＜483-1440＞ |
解説
Examining Hong Kong cinema from its inception in 1913 to the end of the colonial era, this work explains the key areas of production, market, film products and critical traditions. Hong Kong Cinema considers the different political formations of Hong Kong's culture as seen through the cinema, and deals with the historical, political, economic and cultural relations between Hong Kong cinema and other Chinese film industries on the mainland, as well as in Taiwan and South-East Asia. Discussion covers the concept of 'national cinema' in the context of Hong Kong's status as a quasi-nation with strong links to both the 'motherland' (China) and the 'coloniser' (Britain), and also argues that Hong Kong cinema is a national cinema only in an incomplete and ambiguous sense.